I am beginning to get to know you (2026), 12′
Symphony orchestra, 2(2.picc).2.2(1.b.cl.)2. / 4.2.3.1 / perc (2) / hp. / str.(14.12.10.8.6)
THE BIG RED BUTTON (2025), 12′
fl. ob. b.cl. bsn. / hn. flg. trb. / perc (1) / str.(1.1.1.1.1.)
Round by Greenland Dock (2024), 9′
3-5 wind and brass / str.(1.1.1.1.1.)Small Ensemble (2-8 players)
The Call of the Mudlark (2026), 50′
cl. bsn. / mudlarked perc. / vln. vla. vc. cb.
Premiered 13/3/2026 at St. Clements Finsbury. Listen.
Beethoven: Unfinished Works (2026), 8′
cl. bsn. / vln. vla. vc. cb.
Premiered 13/3/2026 at St. Clements Finsbury. Listen.
Tooting Bec/ Broadway (2025), 8′
hn. el.guit. vc. db.
Dedicated to Mike Campbell
Dragonflies in Foots Cray Meadows (2024), 14′
string quartet
Written for The Amber Priest.
Hansel and Gretel (2024), 12′
actor. string quartet + elec.
breathe. (2023), 12′
wind quintet
Fiddle Triptych (2025), 12′
hn. + fixed electronics
Written for Freya Campbell.
Synchronised Swimming (2025), 11′
vc. + live electronics
Written for Erin Snape.
The piano is out of tune, and I am okay with that (2024), 10′
pno.
Written for Ben Smith. Listen.
CAL9000 (2024), 14′
bsn. + fixed electronics
Written for Fergus Butt. Premiered 26/3/2024 at Siobhan Davies Studios. Watch. Listen.
Solo for Alto Saxophone (2022), 6′
alto sax.
Psychedelic Jelly (2025), 5′
8 voices (2 sop. 2 alto. 2 ten. 2 bass.)
Written for EXAUDI.
Speak Quietly, Beautiful (2025), 5′
3 soloists or ensemble divided in 3
Premiered 4/12/2025 at St.Mary-at-Hill.
Alexander Cann Composer 